Archive for January 19th, 2008

19
Jan

Photo Saturday: At the Trevi

Rome's Trevi Fountain, Photo by Susan Sanders

Yes, we’re a day behind, making this Photo Saturday instead of Photo Friday. And, given that it’s a brilliantly sunny winter day today, we thought we’d feature Susan Sander’s recent Trevi Fountain photos as they so majestically showcase the dramatic contrast between light and dark that characterizes Rome in the winter months.

Rome's Trevi Fountain, a photo by Susan Sanders

In the two shots above, the stage set that is the Trevi (read more about that here) is made ever more dramatic by the angling shadows thrown by surrounding buildings. Seen this way, one realizes just how small is the space in which the Trevi stands, for it was inserted into a densely populated neighborhood when it was created.

Below, tourists rest on the rough-hewn rocks of the Trevi’s base, taking in the last glimmers of sunlight on an unusually warm winter day.

To see more of Susan’s evocative photographs of Rome, visit her website: romewithaview.com

Rome's Trevi Fountain, a photo by Susan Sanders

19
Jan

Renaissance Revival

Botticelli's Birth of Venus in an Ad for Renaissance Hotels

A new advertising campaign by Renaissance Hotels has been catching our eye lately.  Capitalizing on their name, the chain has produced a series of ads modeled on famous Italian Renaissance paintings.

Above, a model stands poolside in precisely the position assumed by Venus in Botticelli’s Birth of Venus (see below) as flowers shower down from the sky. In the original painting, the goddess newly-born from the sea is flanked on the left by Zephyrs and on the right by one of the Horae, a goddess of the seasons.

In the Renaissance ad above, the Zephyrs are replaced by smartly uniformed and diligent hotel employees who offer their almost-divine guest a refreshing cocktail and a carefully-composed plate of snacks, while the Hora who cloaks Venus below becomes an attentive pool boy offering a soft and fluffy towel.

Botticelli's Birth of Venus

The ad campaign is not just one of Renaissance imitation, however.  The recomposed scenes incorporate elements of real Renaissance hotels.  The pool, for example, in the Botticelli-esque ad at the top of this post is inspired by the swimming pool at the Renaissance Orlando Resort at Seaworld.  Similarly, the loggia in the background was inspired by the arches on the facade of the Renaissance Hamburg Hotel.

Similarly, the vaults that cover the Last Supper-esque version of the ad campaign (below) are derived from the ceiling of the Renaissance Cleveland Hotel in Ohio, while the marble floor in the same image is an invention upon that found in the Renaissance Beijing Hotel.

Ad for Renaissance Resorts & Hotels

The ad campaign is in print, but there’s an interactive web version as well, in which clickable “fireflies” occupy parts of the images and provide more information about amenities offered by the hotel chain.

And there’s a third image – perhaps the cleverest of them all – that seems to be available only in print (seen most recently in December issues of the New Yorker).  It’s an evocative adaptation of Raphael’s School of Athens, in which hotel guests have artfully arranged themselves in a majestic hotel lobby, assuming the positions of philosophers and thinkers featured in Raphael’s original composition.  Anybody have a web version of that particular ad?  We’d love a copy.

19
Jan

The Return of the Euphronius Vase

Return of the Euphronius Vase to Italy

(Via AP) ROME – With the return of a long-sought masterpiece of antiquity, Italy on Friday trumpeted one of the successes of its campaign to recover what it says are looted treasures from museums and collectors around the world.

The 2,500-year-old vase by Greek artist Euphronius, which Italy regained after signing a deal with the Metropolitan Museum of Art in New York,  was feted in Rome at an official presentation.

The Euphronius Krater — a large vase painted with scenes related to Homer’s epic poems “The Iliad” and “The Odyssey” — is regarded as one of the finest examples of its kind. The vase was used as a bowl for mixing wine and water. (To read more about the vase itself and its brilliant paintings , we suggest this article from the Wall Street Journal.)

“It is universally considered the best work by the artist,” Culture Minister Francesco Rutelli said at the ceremony. Also attending was his predecessor, Rocco Buttiglione,  who started the country’s high-profile campaign to recover art.

Rutelli sought to reassure art lovers that the Met’s artistic richness would not suffer.

Return of the Euphronius Vase to Italy

This “doesn’t mean we’re taking an opportunity away from the public,” the minister said, stressing that the deal calls for Italy to lend equally significant artifacts to the Met for four years. “The policy of exchanging items resolves a tough confrontation without hurting” museum visitors, he said.

The Euphronius Krater was at the heart of negotiations with the New York museum.  And it was the focal point of Italian government efforts to recover ancient treasures that have ended up in museums or private collections with what Italy claims was false documentation after being allegedly looted from archaeological sites.

Euphronius was one of Athens’ greatest vase painters during a time of unequaled mastery for pottery in the ancient world. Like many other vessels, the krater was exported to Italy, and it is believed to have been used by the Etruscan civilization to decorate a tomb near Rome.

More than 2,000 years later, the priceless vase was looted from the site by Italy’s “tombaroli” — or tomb raiders — and smuggled out of the country, Italian authorities say.

The museum bought it for $1 million in 1972 from American art dealer Robert Hecht, who is on trial in Rome on charges of knowingly acquiring allegedly looted ancient artifacts. He denies wrongdoing.

The deal that was eventually sealed with the New York museum in February 2006 called for the return of the vase by mid-January 2008. The museum also agreed to return 20 other antiquities.

NB: The Euphronius Krater is currently on exhibit in Rome at the Quirinale Palace, in an show titled Nostoi (see our post on the exhibit here). The exhibit will remain open until 2 March, after which the Euphronius Vase will be moved to its permanent home in National Etruscan Museum at the Villa Giulia in Rome.

The Euphronius Vase




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