Archive for April, 2008



20
Apr

Birthday of Rome: Celebrating in Rank and File

Parade in honor of Rome's 2761st Birthday
This week we’ve been celebrating the first birthday of the eCool blog. We’re happy to report that eCool is proving to be a big success - in each of the past few months we’ve had 60,000-80,000 hits and we take that as a sign that there’s lots of people interested in all that’s hip and happening in Rome! So Happy Birthday eCool!

But even bigger things are afoot this weekend as the Eternal City is celebrating its 2761st birthday with a host of events - from concerts to the extraordinary opening of archaeological sites to the re-enactment of ancient rituals (click to read yesterday’s post). As far as we’re concerned, however, the e-Coolest of all the events is the annual parade staged by the Gruppo Storico Romano in which thousands of historic re-enactment groups from across Europe march through Rome’s ancient city center, in celebration of the city’s long history.

We’re your eyewitness for the event, so enjoy the photos and stay tuned for more posts about this and other events in coming days.

Miss Goddess Roma

Each year in honor of the holiday, the Gruppo Storico Romano holds a “Goddess Roma” contest in which they choose a young woman to lead the parade in the guise of the goddess Roma. She’s seen above, sporting her war helmet and holding the orb of the earth in her hand.

Parade Celebrating Rome's 2761st Birthday

The goddess is escorted through the city by Romans of every variety. This year historic reenactment groups from Italy, England, Holland, Spain, Switzerland, Poland, Germany, and Croatia joined in the fun, putting on a spectacular display of ancient costumes.

Parade in Honor of Rome's 2761st Birthday

Military maneuvers not seen for centuries were expertly executed on the Via dei Fori Imperiali.

Gladiators in the Parade Celebrating Rome's Birthday

Gladiators of every rank, status, age, and gender joined in the fun (see above) - often threatening the well-being of innocent spectators along the parade route - though even more ominous was the presence of the Three Fates (see below).

Three Fates in Rome's Birthday Parade

More photos tomorrow on Rome’s actual birthday. In the meantime, we’re busy baking a she-wolf cake!

19
Apr

Birthday of Rome: Extra Virgin

The Imperial Family Celebrating the Birthday of Rome

The story of Rome’s foundation is an action-packed tale populated by gods, heroes, kings, priestesses, and she-wolves - there’s scarcely a city in the world that could claim such an exciting beginning!

A king is overthrown and his daughter is forced to take a vow of chastity. Despite the girls’ good intentions, she is seduced by the war god Mars and finds herself pregnant with twin boys. Upon birth, the babies are taken from their mother and exposed on the banks of the Tiber River. Their lives, however, are saved when a she-wolf finds the children and takes them home to live alongside she and her newly-born pups. They are then rescued by a shepherd and his wife who raises them as their own children.

Later in life, these same boys, Romulus and Remus, decide to honor the astounding way in which their lives were saved by founding a city on the banks of the Tiber. They quarrel, however, about who will head up the city, and in an effort to insure his primacy, Romulus kills his brother Remus before founding the city of Rome on April 21st, 753 BC. Wow! It’s more of a mini-series than a story!

Vestal Virgins Celebrating the Birthday of Rome

In antiquity, the exciting legend of Romulus, Remus, and the She-Wolf was commemorated and honored in a variety of manners. The Lupercal, or the cave in which Romulus and Remus were believed to have lived with the wolf family was kept as a holy shrine on the side of Rome’s Palatine Hill, while the hut in which Romulus lived after founding the city (also on the Palatine), was likewise considered a holy place.

While the careful preservation of such heritage sites meant that ancient Romans (and no doubt many tourists) could follow the Romulean-trail through Rome, paying visits to places associated with the city’s founder and its earliest history - just as Americans today might follow the Lincoln Trail or visit sites important to the life of George Washington - the Romans also recalled their city’s foundation with a religious that was held each year on the city’s birthday, 21 April.

Vestal Virgins Celebrating the Palilia

On Roman religious calendars, 21 April was the day designated for the celebration of the Parilia - a festival held in honor of the god (or goddess - no one is sure) Pales who watched over and protected shepherds. Because Romulus and Remus began their lives in the care of a shepherd (and no doubt did some sheep herding themselves), it was commonly thought that Romulus must have been the first to have performed these rites as he founded his city.

So what do the rites entail? This evening - a bit in anticipation of Rome’s birthday - we got a glimpse of this festival when it was re-enacted by the Gruppo Storico Romano in front of the Temple of Hercules (formerly believed to be the Temple of Vesta) in Rome’s Forum Boarium.

In the presence of the Imperial Family (see top photo in this post), the Vestal Virgins processed to the front of the temple where they undertook a public purification by means of fire and smoke, burning the blood of an October Horse (the right hand horse of the team that won a particular chariot race on October 15 of the previous year), the ashes of an unborn calf, and the shells of beans. (We take this opportunity to emphasize that this was a re-enactment and that no animals were harmed in the recreation of this ritual.)

Smoke and spectators were in abundance as these six honorable virgins officiated at the rites meant to bring health and wealth for shepherds - but also to the city of Rome. And the performance was but a warm-up for the star-studded super-parade that will be staged by the Gruppo Storico Romano tomorrow in honor of Rome’s 2761st birthday. Stay tuned!

Vestal Virgins Re-enacting the Parilia

19
Apr

Don’t Touch My Radio

Graffiti from Venice, Italy

Also spotted in Venice last week - while roaming the furtherest reaches of Dorsodoro.  Just what event(s) - we wonder - provoked the expression of this sentiment?

18
Apr

Figura Serpentinata

Snake Shoes in Venice, Italy

Artists in the sixteenth century spent their time trying to master the figura serpentinata - an idea that takes on a whole new meaning when one gazes upon these splendid snake skin shoes we found in a shop window on a back street in Venice. Displayed amongst a host of other lovely and handmade offerings, this headstrong pair of scarpe serpentinate initially sent us recoiling in shock and surprise (yep, that’s a little snake tongue sticking out of the head on the right), but then we became fascinated, even obsessed, and found ourselves slithering back up to the window for another look, and another, and another, until we convinced ourselves that one could cut quite a bella figura in these shoes if one were just brave enough to wear them.

Snake Shoes in Venice, Italy

18
Apr

Papal Paraphernalia

Popemobiles through the Years

On the occasion of Pope Benedict XVI’s visit to the United States, NPR offers up some stories that many readers won’t want to miss:

17
Apr

Tidying Up the Temple of Portunus

Temple of Portunus in Rome

Some months ago, when we published a brief article about Rome’s lovely little Temple of Portunus, we became aware that there are readers out there who are utterly and completely dedicated to this architectural gem. Thus, when a bit of recent web-surfing led us to a series of photos documenting how the temple and its position in the city have changed over time - as well as others depicting photos of the newly restored and conserved medieval frescoes inside - we were inspired to share the images with you.

As our February article discussed, the Temple of Portunus (once called the Temple of Fortuna Virilis) is currently being cleaned and restored. But, as the images here will show, it’s not the first time that this temple has been subjected to a bit of tidying up. For most of its post-antique life, the building was encased in the dense urban fabric that grew up around sturdy ancient monuments in the Middle Ages. It was liberated from these structures only in the early 20th century.

One can see just how cramped and crowded was the area round the temple in the print made by Piranesi in 1758 (above, left) in which one sees the Temple (really, at the time, a church as it was consecrated to the Virgin Mary c. 872 AD) with its left side disappearing into the wall of an abutting and later building. And the relationship between the two buildings is even clearer in the adjacent photo (above, right) taken in 1860.

Temple of Portunus in Rome

Like so many ancient ruins, the Temple of Portunus was “liberated” under the reign of Italy’s fascist dictator, Benito Mussolini. The process by which the abutting buildings were demolished is seen in the photos above, taken in 1924. While one of Mussolini’s aims was certainly that of showcasing such ancient artifacts as this first century BC temple, in this part of town his urban demolition was meant to fulfill another goal as well - that of creating a broad street that would lead from Rome’s historic center towards the sea - a road today known as Via Petroselli.

Fresco in Rome's Temple of Portunus

Mussolini’s “liberation” of the temple led to the discovery of early Christian frescoes inside the structure. Dating in the eighth or ninth century AD, the paintings show images from the life of the Virgin Mary as recounted by apocryphal texts. Though these frescoes have been known for some 90 years, they’re only now being cleaned and restored as part of the greater conservation and consolidation effort at the temple.

This recent conservation work allows us to see these frescoes clearly for the first time and they’re quite stunning. Above, is an image of Saint John the Baptist. Below, left, an image of soldiers, and below, right, a fragment of a fresco depicting the Virgin Mary.

For more on the Temple of Portunus, click here.

Medieval Frescoes at the Temple of Portunus, Rome

16
Apr

VinoRoma: Guided Wine Tastings in Rome

Hande Leimer, Owner of VinoRoma

Earlier this year, sommelier and food blogger Hande Leimer moved to Rome with her husband Theo. Though the fabulous foods of Rome certainly had much to do with the couple’s decision to settle in the Eternal City, their real focus was wine. They came to Rome so that Hande could indulge her love of Italian vintages – an interest that has manifested itself in the creation of a new wine-tasting business, VinoRoma.

Hande and Theo spent months searching for the perfect apartment - a task that’s always a challenge in Rome where prices are high and quality is extremely variable. In particular, the couple was searching for an apartment with a large and elegant space – one in which Hande could host guided wine tastings – and at long last they found a beautiful home in the Prati neighborhood, not far from Castel Sant’Angelo on the banks of the Tiber River.

Always eager to learn more about Italian wine, the eCool team recently paid a visit to Hande and Theo’s new abode, where we admired their floors with hand-painted seventeenth-century tiles, and reveled in the thought of drinking wine around their fireplace on cool spring evenings. We took the opportunity to interview Hande about her interest in wine, to score some tips on drinking Italian fruits of the vine, and to learn all about VinoRoma.

So, enjoy! And the next time you’re in Rome sign up for one of Hande’s fabulous wine tastings. Visit VinoRoma or the Institute of Design & Culture in Rome to sign up.

Corks

Can you tell us a little bit about your background? Where did you grow up and in what places have you lived in the past few years?

Just recently I learned the term “Third Culture Kid” and now I know how to define myself! I grew up in a German-Turkish family in Istanbul, but had extensive stays in the USA during high school. Later I graduated from an American University in Istanbul; moved to Germany for my second career; changed careers, cities and countries; lived in north Italy for one and a half years; went back to Germany; and am now living in Rome! Are you dizzy yet? I was, especially of the course of the last two years, when I was managing 3 households simultaneously but didn’t call any of them home.

You began your professional life in a career that had nothing to do with wine, right? How did you become interested in the fruits of the vine?

Oh, I have been a stage manager for international music acts in big venues in Turkey (I was young and loved rock music!), an account manager in an advertising agency (my learned profession - I majored in marketing), a software programmer and consultant (more money for equal amount of time – the wine drinking and travelling had to be financed!)… and throughout all these careers, I was drinking wine.

My family was very interested in food and my parents regularly had wine with dinner, and allowed my brother and I to sip it even as teenagers. But I have to admit that we rarely had any sophisticated wines, they just didn’t exist at the time in Turkey. Basically the choices were “cheap” and “bit-more-expensive” or “red” and “white”.

It was with moving to Germany, traveling in Europe and earning money that I started paying more attention to wines. Lucky for me, my husband was also interested though he had no prior experience or knowledge, so we started exploring the world of wine together. We went to tastings, took seminars, visited vineyards, and geared our traveling geared more and more towards wine regions… So, I kind of slid into it, wine makers started calling me “the nose”; friends started commenting they finally understood what was meant by all those fussy words about the aromas when I described a wine to them; and people started asking that I put together some wines for their cellars.

So a couple of years ago I decided to do it right and live not only for wines but also from them! I trained to be a sommelier.
Grapes

How is it that you decided to move to Rome? Is there something in particular that attracts you to this city?

Let’s see; I love food, wine, sunny weather, the southern way of life, people from different cultures, big cities with a bustling but relaxed atmosphere (does that make sense?), being called a ragazza even though I’m 37… I couldn’t think of being any other place! Also, here I can meet enough new people whom I can infect with my passion for Italian wine.

Many people find wine to be a bit scary because they worry that they don’t have enough knowledge to pick good wines or to serve them with the right foods. If you could give a single piece of advice to those looking to learn about wine, what would it be?

Oh, I know the feeling! Not having grown up with knowledge and proper experience myself, I can really relate to that kind of intimidation. My message is that there is nothing to be afraid of!

Yes, wine professionals engage in boisterous talk and endless discussions, but that’s just something we do amongst ourselves. In truth, professionals are dying to get as many people as possible interested in wine – that way we can all sit together, enjoy a good meal with a good wine and have a great time.

So my one piece of advice would be to ask endless questions. If you feel someone is snickering at you, just turn your back and leave. But that won’t happen often, believe me, as we are all crazy about wine and love to talk about it! A second piece of advice: taste as many wines as you can. Over time you will develop your palate and be able to choose the perfect wine for every situation.

Corks

How important is it to match wine to food? Should we worry about going wrong in that department or are there general rules we can follow?

Well, there are horrible combinations that can ruin a meal. Here’s some basic rules: if you are eating out, ask for help from the sommelier or the waiter. In most cases, he or she should know the dishes and the wines better than you do. Yet, your waiter or sommelier doesn’t know much about your taste, so you might want to give them some hints about what you like and don’t like.

If you don’t trust the waiter or when you are at home, try to imagine the taste of the dish, then try to imagine the tastes of some wines you know, and then think about which foods and wines would match up well. Likeness is the way to go most of the time. If the dish is light, the wine should be, too; if the dish is more substantial you also want a stronger, fuller wine with it. Color matching is not necessary, but trying to keep within the region is a most helpful idea. Dishes and wines of a region evolve and emerge complimenting each other. And Italian wines are perfect food companions, unlike most French wines which are more of the “meditation” type.

Corks

Let’s talk local. Can you describe some of the qualities that characterize wines from Lazio (the region surrounding Rome)?

Lazio is a most underestimated wine region, but it is up and coming. Wineries are putting a lot of love and effort into the indigenous varietals and trying to iron out the mistakes of the past, namely the bland and high-yield whites produced in massive quantity. You can get some very good value whites in the areas around Rome (look for Grechetto, Malvasia and Trebbiano, especially from the Castelli Romani region around Rome). In regard to red, check out Cesanese, a red indigenous varietal, which might be the next big thing. There are also some Merlot blends that I love, of the easy drinking, no oak, type.

Grapes

You also write a food blog, correct? Can you tell us about some of your favorite Roman food discoveries?

Yes, on my blog Food Vagabond I write about everything food related (from recipes to restaurant reviews to personal opinions). Needless to say, the blog has become rather Rome-centric since my move to the Eternal City. The quality and abundance of fresh produce here is unbelievable: Rome is so central that you have easy access to everything Italy offers. Puntarelle, artichokes, and broccoletti are just some of the vegetables that are specialties of the region.

But the one product I am in love with (as is everyone to whom I have introduced it) is guanciale: This cured (not smoked!) pig’s jowl is my all-purpose secret weapon and transforms any dish from good to heavenly!

When my husband Theo and I go out we also prefer traditional Roman trattorias because the traditional cuisine offers simple food with few but superior ingredients- think of pastas like carbonara, amatriciana, and cacio e pepe which are from this region.

Corks

Through your new business, Vino Roma, you offer Rome’s visitors and residents the opportunity to attend a wine tasting in a beautiful palazzo overlooking the city. Can you describe one of those wine-tasting evenings for us?

Just a couple of days ago a guest wrote to tell me that though she has been drinking wine for at least 10 years, she had never learned as much as she did during her wine tasting with me. And, she didn’t even realize it during the two hours we were together because she had so much fun. That pretty much sums it up!

My goal is to gather a group of nice people who are interested in wine. Together we drink some Italian wines and have a good time while everyone learns a few new things without sweating it.

An added bonus is that our tasting room is really amazing: Most tourists come to Rome, stay in a hotel, see all these gorgeous buildings from the outside and never ever get a glimpse of the inside of a Roman apartment, where real people live. We were lucky to find this beautiful palazzo from 1886, very centrally located right on the banks of the Tiber. The floors are made of hand painted 17th century Venetian tiles; we have some nice antique pieces of furniture from different epochs, and even a functioning fireplace (who knew it could get cold in Rome?). It is really a unique experience sitting there sipping wine - I still have to pinch myself at times!

I offer a standard tasting 4 times a week (check for dates on vinoroma.com, usually Wednesday thru Sunday at 5 pm). Beyond that, I’m thrilled to design special tastings around a guests’ specifc interests (with advance notice, of course) – these can revolved around a particular region, a particular type of wine (whites, reds, Brunello, Piedmont etc.), whatever you fancy, as long as it is about Italian wines. These special tastings are also more flexible with the start times and duration.

Wine Bottles
Humor us with one final question that’s been a source of curiosity for some time. There’s a famous wine tasting tale that says that when red and white wines are poured into opaque black glasses, even highly trained sommeliers often can’t taste the difference between them. Is that true? If so, what’s the explanation?

Oh, that might happen to me, so I have to be careful with my answer now! Usually when we start judging a wine, we examine it visually, looking at its color in terms of depth, hue, clarity, as well as at its liveliness. These are all visual clues that tip us off as to varietal, style, age, and production method – all in all, very good tools for understanding wine.

But these visual clues might also subconsciously mislead us about another important aspect, the nose, provoking us to detect particular expected aromas, while causing us to overlook others.

Opaque black glasses are designed to eliminate the pre-conceptions provoked by the appearance of a wine prior to tasting.

When you drink wine without these visual clues - if you have a good nose - you might detect aromas that are commonly associated with another style. For example, red wines can have aromas of peach and lemon commonly associated with whites, while buttery aromas are found in both whites and reds. So, yes, when drinking without visual clues, one might make mistakes. You could think you’re drinking a white wine when you have a fruity and light pinot noir in your black glass. But this doesn’t happen very often to highly trained sommeliers.

Visit VinoRoma or the Institute of Design & Culture in Rome to sign up for Hande’s guided wine tastings.

12
Apr

Osamu Watanabe’s Classicizing Confectionery

Osamu Watanabe's Hermes

Ping Magazine recently published a roundup of the best art on show at the new 101Tokyo Art Fair in Akihabara where fourteen Japanese and fourteen international galleries presented artists.

We giggled at the works of Osamu Watanabe from Yamaguchi who has applied cake decorations to all sorts of things under the influence of his mother, who was the instructor of a confectionery class.

What did Watanabe have on show at 101 Tokyo? He presented very sweet versions of Botticelli’s The Birth of Venus and Myron’s Discobolos (see below). We don’t think you can eat them, but Watanabe’s remix of the Discobolos - in which our beloved fifth-century athlete stands ready to send a fruit-laden torte soaring through the sky - is eye candy of a kind we’ve never seen before.

A virtual visit to Watanabe’s gallery brought further delight.  There we discovered something we like even more - a stately sculpture of Hermes sporting a fruity fro (see above).

Osamu Watanabe's Birth of Venus and Discobolus

11
Apr

Alitalia Going Under?

Alitalia Plane in the Trevi Fountain

Yesterday, 10 April, workers from an Alitalia maintenance unit threw a model of an Alitalia airplane during a demonstration protesting the struggling airline’s possible takeover.
Italy’s government on Thursday sought to convince Alitalia’s unions that a takeover by Air France-KLM was the ailing carrier’s only option, telling labor groups they had one last chance to agree to a deal.

Is Alitalia Drowning?

11
Apr

A Fortuitious Find at the Flavian Amphitheater

Colosseum Reconstruction Showing Statues in Arches

Via AKI - A fragment of an ancient Roman equestrian statue that once adorned the Colosseum has been found during excavations near the world famous Italian landmark.

According to the Italian daily, Il Messaggero, the fragment was discovered among the remains of an ancient pavement that once surrounded the amphitheater.

“A marble fragment measuring one meter by a meter and a half, is from an equestrian statue, probably a statue that embellished the arches of the Colosseum,” said archaeologist Silvana Rizzo, advisor to the minister of culture and tourism, Francesco Rutelli.

“The left flank of a rider with the detail of a leg, bridle and harness of a horse, as well as a part of a dagger scabbard are perfectly visible from the fragment,” said Rizzo, who has spent his life doing Roman excavations.

“They are details that suggest the statue of an emperor and left us with the hope that we could find the entire statue.”

According to Il Messaggero, the archaeological find is a reminder of how many pieces of ancient sculpture are discovered on a regular basis in the Italian capital when centimeters of soil are swept away.

Angelo Bottini, Rome’s archaeological superintendent, called the discovery of the equestrian statue “an exceptional discovery”.

“What’s clear is this new discovery is the umpteenth demonstration of the underground surprises in Rome that are a gift to us,” Bottini told the Italian daily.

The new discovery could shed light on the statues that once adorned the exterior wall of the Colosseum.

The Colosseum, also known as the Flavian Amphitheatre, was constructed by the Emperor Vespasian in 72 A.D. and inaugurated by his son Titus in 80 A.D.

It was the largest amphitheater ever built in the Roman Empire and considered one of the greatest examples of Roman architecture and engineering.

But it has suffered extensive damage over the centuries due to earthquakes and pillaging.

The arches on the third floor of the Colosseum were decorated by three eagles, signs of power in Rome, while the second floor had statues of ancient gods such as Hercules, Apollo and Aesculapius.

Experts believe the uncovered equestrian fragment could have been part of a statue above the Imperial entrance to the amphitheater.

More archaeological discoveries are expected to be uncovered as the city proceeds with construction of its third subway line near the Roman Forum, in the heart of the Italian capital.

Construction on the 30-station line has already been interrupted several times as archaeologists have uncovered ancient and medieval treasures.

Under Italy’s strict conservation laws, the city must decide whether any historic objects are removed or preserved.

The 4.6 billion dollar subway line is expected to be completed in 2015.