Archive for October, 2008

31
Oct

Photo Friday: The Spada Chapel

The Capella Spada in San Girolamo della Carita in Rome

On this cool and rainy Photo Friday, Susan Sanders presents us with some stunning photographs of the Spada Chapel in the church of San Girolamo della Carita.

Located on Via Monserrato, near Piazza Farnese, the church is notable for the fact that it served as the first meeting place for St. Philip Neri’s Oratorians in the sixteenth century.

History and theology aside, the Spada Chapel inside the church provides an awe-inspiring display of inlaid marble that’s unparalleled in Rome.  The chapel was originally purchased by Orazio Spada in 1575 (the Spada family lived right down the street from this church), and then was refurbished and brought to its present state by Virgilio and Bernardo Spada between 1654-7.

The Spada Chapel in Rome's San Girlolamo della Carita

The small chapel and the altar are covered with pale orange, beige and dark red marble in a series of scroll, flower and fleur-de-lis patterns. Portraits of saints, in white marble, are placed in medallions hung by marble cords. On each side, reclining gently, members of the Spada family look on, while in front, two white marble angels hold a striped marble cloth. The effect is both sumptuous and informal: it is a little as if the Spadas had dropped in for a conversation in a particularly grand salon.

Who designed the chapel?  As the great architect Borromini was a close friend of Virgilio Spada, his name has long been associated with the chapel, though most now believe that its design was directed by Virgilio himself.   The sumptuous altar rail is by Bernini’s pupil, Antonio Giorgetti.

The Spada Chapel in Rome's San Girloamo della Carita

29
Oct

The Madonna Comes Clean

Raphael's Madonna of the Goldfinch, Restored

Next month, Florence will mount a special exhibition in the Palazzo Medici to celebrate the completed restoration of Raphael’s Madonna of the Goldfinc.  The work took 10 years (see before and after pictures above).

In this painting, as in most of the Madonnas of his Florentine period, Raphael arranged the three figures – Mary, Christ and the young John the Baptist – to fit into a geometrical design. Though the positions of the three bodies are natural, together they form an almost regular triangle.

The Virgin is holding a book, with identifies her as Sedes Sapientiae (“Seat of Wisdom”). The goldfinch is a symbol of Christ’s future violent death because it is a bird that feeds among thorns. One legend has it that a goldfinch plucked out a thorn that was digging painfully into Christ’s brow as he was on his way to be crucified.  In the painting, St. John offers the goldfinch to Christ as a warning of his future.

Painted c. 1505-1506, the Madonna was a wedding gift from Raphael to his friend Lorenzo Nasi. Problems with the painting began on On November 17, 1548, when Nasi’s house collapsed in an earthquake and the painting broke into seventeen pieces. It was restored shortly afterwards by a contemporary of Raphael, Ridolfo di Ghirlandaio, who put it back together with nails and painted over to hide the joins, but the damage is still visible (see center photo above).

Eventually the Medici came to own the painting and further harm was done to it by successive attempts to cover up the nails and earthquake damage.

Peter Popham of The Independent recounts the story of the painting’s restoration:

So when Opificio delle Pietre Dure, one of Italy’s state-run picture restoration laboratories, was approached about the possibility of restoring the picture to its original splendour, it approached it with great diffidence. “This patient gave us the most shivers and the most sleepless nights,” Marco Ciatti, head of the paintings department of the lab, told Reuters. “We spent two whole years studying it before deciding whether to go ahead, because with the damage it had suffered in the past – which was clearly visible in the X-rays – a restoration attempt could go wrong.”

In the end they decided to proceed, and the restorer who pulled the short straw was Patrizia Riitano. The painting has been her life for years. “I am just a technician but I probably know this painting almost better than Raphael,” she said. “He looked at it of course, but all these years I have been looking at it through a microscope.” She headed a team of 50 including wood specialists and photography technicians.

The restoration team decided that the larger nails holding the picture together should stay, as removing them risked doing more harm. The grime obscuring the picture’s beautifully balanced golds, reds and blues has been meticulously stripped away.

We’re eternally eager to see the newly restored painting, which the city of Florence says it will welcome home like a prodigal daughter.

27
Oct

“Remember, Another Italy is Possible”

PD Rally in the Circus Maximus, Rome

On Saturday, some 2.5 million people took to Rome’s cobblestoned streets in protest of Silvio Berlusconi‘s right-wing government.  The demonstration was organized by Walter Veltroni‘s centre-left Democratic party (PD).

Left-wing activists assembled at Piazza della Repubblica and marched across the Eternal City to the Circus Maximus, carrying with them a sea of red and green opposition flags and proclaiming that “another Italy is possible.”

Veltroni, whose PD is riding low in the polls after its defeat to Berlusconi’s new conservative People of Freedom (PDL) in May, called the protest the biggest in recent years.

Walter Veltroni at a PD Rally in Rome's Circus Maximus

At the rally, Veltroni proclaimed: “[This] is proof that democracy is alive and well… We could never have imagined such a large turnout,” he added.

Veltroni heaped scorn on Berlusconi, a controversial self-made billionaire and media mogul, whose conservative policies and legal amendments to avoid prosecution for alleged corruption have sparked indignation.

“Democracy is not run by the board of a company,” Veltroni said, swiping at Berlusconi’s credentials to administer the country and saying he was “totally incompetent to face the grave social and economic crisis.”

“Remember another Italy is possible,” Veltroni added.

Walter Veltroni at the PD Rally in Rome's Circus Maximus

26
Oct

Porn and Politics in the Middle Ages

Fresco from Massa Marittima

A post on PhDiva alerted us to the brilliant Got Medieval blog, and, in particular, to a most timely, entertaining, and informative post there called  Negative Campaigning, Medieval Style.  We’re betting that if you look closely at the images here — medieval frescoes from the Italian city of Massa Marittima — you’re interest will be aroused and you’ll feel the urge to jump right over to Got Medieval and find out what this provocative fresco is all about!

Fresco from Massa Marittima

26
Oct

Can I Get a Doggie Bag?

Last Supper: Ad for Animal Rights

Early this Sunday morning (the time changed this weekend in Europe so we’re all feeling rested and refreshed) we’re enjoying this ad created for OIPA, the Organizzazione Internazionale Protezione Animali (the International Organization for the Protection of Animals).  A pack of dogs are rowdy attendees at a re-enactment of Leonardo da Vinci’s Last Supper.  They sit alongside a single human, Judas, and the byline reads:  “One of you betrays us 150,000 times every year.”

Advertising Agency: Remember, Milan, Italy
Art Director: Fabio Anzani
Copywriter: Massimo Mariottini
Illustrator: Stefano Delli Veneri
Published: October 2008

Published on I Believe in Advertising.

22
Oct

Chef and the City

Chef Graffiti

We spotted this nice wall with a sprinting chef serving up a smoking city while strolling around the Termini train station a few days ago.  We don’t know who did it or exactly what they had in mind, but we like it nonetheless.

19
Oct

Photo Sunday: A Nose for These Things

Emperors in the Louvre

We’re a bit late this weekend as Photo Friday is landing on Sunday evening, but we bring you a photo of Roman Emperors’ busts taken recently by Susan Sanders in the Louvre in Paris.  With their drilled hair and beards, the faces look familiar.  It’s a crowd that would make any lover of Rome feel at home.

For more photos by Susan, visit her blog: Rome With A View.

16
Oct

Excavating Gladiator

Russell Crowe in Gladiator

Richard Owen of the Times provides the coverage:

Italian archeologists have discovered the tomb of the ancient Roman hero said to have inspired the character played by Russell Crowe in the film ‘Gladiator’.

Daniela Rossi, a Rome archeologist, said the discovery of the monumental marble tomb of Marcus Nonius Macrinus, including a large inscription bearing his name, was “an exceptional find”. She said it was “the most important ancient Roman monument to come to light for twenty or thirty years”.

The tomb is on the banks of the Tiber near the via Flaminia, north of Rome. Cristiano Ranieri, who led the archeological team at the site, said the tomb had long ago collapsed into the mud but its columns, roof and decorations were intact. Some parts of the tomb had slipped into the river, but had been recovered.

Marcus Nonius Macrinus, born in Brescia in northern Italy, was a general and consul who led military campaigns for Marcus Aurelius, the Roman emperor from 161 AD to 180 AD. He became part of the Emperor’s inner circle and one of his favorites, serving as proconsul in Asia.

In ‘Gladiator’, directed by Ridley Scott, he becomes Maximus Decimus Meridius, also a general and a favourite of Marcus Aurelius – with the twist that, after the murder of the emperor by his ambitious son Commodus (a fictional event), Maximus falls from grace and ends up in exile in North Africa. He later returns to Rome as a hardened gladiator to take revenge for the murder of his family and of Marcus Aurelius. Russell Crowe won an Oscar for the role.

There are believed to be plans to reconstruct the tomb as the centerpiece of a ‘Via Flaminia Archeological Park’, which would also include the House of Empress Livia, the wife of Emperor Augustus, at Prima Porta nearby.

The character of Maximus also draws on accounts by Roman historians of a wrestler named Narcissus, who murdered the Emperor Commodus by strangling him.

An AP image of the tomb of Marcus Nonius Macrinus under excavation is below:

Tomb of Marcus Nonius Macrinus

15
Oct

Italian Icons Re-Imagined

The Trevi Fountain for the 2009 Lavazza Calendar by Annie Leibvotz

Today we bring you a preview of a 2009 calendar commissioned from superstar photographer Annie Leibovitz by the Lavazza coffee company in which iconic Italian monuments are artfully reconsidered.  Shot in a studio (note the huge Trevi Fountain backdrop below), the images seem an invenzione that merges postcard photos with ancient sculpture and Italian Renaissance paintings.  Above, a Botticelli-esque model rises from the waters of the Trevi Fountain, a Venus reborn for the 21st century (with an espresso cup in her hand).

2009 Lavazza Calendar shot by Annie Leibovitz

A kiss on a Roman bridge evokes the romantic allure of the Eternal City, while Leonard da Vinci’s Renaissance (wo)Man rolls about in a coffee cup at Hadrian’s Villa.

2009 Lavazza calendar by Annie Leibovitz

The She-Wolf, in the guise of a menacing supermodel, pays a visit to the Colosseum.

2009 Calendar for Lavazza by Annie Leibovitz

On the left, a Capitoline Venus-esque model  sips coffee surrounded by haute couture, while a less-than-mortally-wounded Dying Gaul-ess assumes an artful pose in Venice’s vast Piazza San Marco and a model frolics in a massive plate of pasta (love those breadcrumbs scattered across the table) in the hills of Tuscany.

2009 Calendar for Lavazza by Annie Leibovitz

14
Oct

See Rome Flattened!

See Rome Flattened!  No Goths or Visigoths Needed to do the job!

We’re lovin’ on these great ads for a travel iron by ETA.  They’re designed by a Czech ad agency and we’re showing you Rome and Paris here.  Tokyo is pretty great too.

Advertising Agency: Kaspen Prague, Czech Republic
Executive Creative Director: Lester Tullett
Illustrators: Premek Ponahly, Daniela Horackova, Jan Turek
Art Director: Dan Kupr
Copywriter: Petr Cech




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