Archive for the 'Historic Sites' Category



27
Oct

“Remember, Another Italy is Possible”

PD Rally in the Circus Maximus, Rome

On Saturday, some 2.5 million people took to Rome’s cobblestoned streets in protest of Silvio Berlusconi‘s right-wing government.  The demonstration was organized by Walter Veltroni‘s centre-left Democratic party (PD).

Left-wing activists assembled at Piazza della Repubblica and marched across the Eternal City to the Circus Maximus, carrying with them a sea of red and green opposition flags and proclaiming that “another Italy is possible.”

Veltroni, whose PD is riding low in the polls after its defeat to Berlusconi’s new conservative People of Freedom (PDL) in May, called the protest the biggest in recent years.

Walter Veltroni at a PD Rally in Rome's Circus Maximus

At the rally, Veltroni proclaimed: “[This] is proof that democracy is alive and well… We could never have imagined such a large turnout,” he added.

Veltroni heaped scorn on Berlusconi, a controversial self-made billionaire and media mogul, whose conservative policies and legal amendments to avoid prosecution for alleged corruption have sparked indignation.

“Democracy is not run by the board of a company,” Veltroni said, swiping at Berlusconi’s credentials to administer the country and saying he was “totally incompetent to face the grave social and economic crisis.”

“Remember another Italy is possible,” Veltroni added.

Walter Veltroni at the PD Rally in Rome's Circus Maximus

04
Oct

Photo Saturday: Mouth of Truth

Mouth of Truth Photograph by Susan Sanders

Photo Friday rolls in a bit late this week because some of the eCool team have hit the road and are enjoying a long and lovely weekend in Paris.  So, from the City of Light & Love, we bring you an image of the city called Eternal.

Susan Sanders took this photograph of a young tourist testing out the Bocca della Verita (or Mouth of Truth) at the church of San Maria in Cosmedin in late summer.   As the brave boy dares this ancient drain cover to bite off his hand, the warm raking light of summer throws shadows across the walls and floor of the narthex of the church.  (If you don’t know the how dangerous it can be to stick your hand in the Mouth of Truth, we suggest you catch up on Roman folklore with a remedial viewing of Roman Holiday!)

For more photographs by Susan, visit her Rome With A View photo blog.

10
Jul

Like Sands Through the Hourglass…

Colosseum Carved of Sand at the Weston-super-Mare Sand Sculpture Festival

Everyone at Weston-super-Mare in England is gearing up for the annual Sand Sculpture Festival this weekend.  In past years, sculptures created for the festival have followed themes such as “fairy tales” or “King Kong.”

This year, however, the sand sculptors are representing the seven continents and the Colosseum and St. Peter’s Dome are two of the buildings chosen to represent Europe.

(Via PhDiva and the Daily Mail)

Sand Sculpture Festival at Weston-super-Mare

09
Jul

Ben-Hur Redux

Chariot Racing Scene from Ben Hur

The ancient sport of chariot racing is to be revived in Rome in the fall of 2009, the organizers of the races announced on Tuesday.

“The races will last for three days, starting from October 17, 2009… Chariot racers from around the world are expected to compete,” Franco Calo, one of the promoters, said.

He said the races would be held at the Circus Maximus, an ancient chariot racing venue which is now a park.

Chariot racers are, understandably, far and few between, and anyone hoping to participate will have to take lessons before heading for the starting line.

Via RIA Novosti

21
Jun

Photo Saturday: Summer Solstice at the Pantheon II

Boys in the Sun at Rome's Pantheon

Yesterday was the summer solstice and in honor of the very longest day of the year, photographer Susan Sanders brought us images of the Pantheon’s dome and oculus. Click here to see them.

But that’s not all she accomplished yesterday! She took herself to the Pantheon and spent some time studying the spectacular disk of light that’s thrown on the temple’s marble floor during summer’s longest days.

Child's Pose in Rome's Pantheon

Streaming through the oculus in the dome, the sun creates an intensely focused beam of light that casts a perfect circle on the colored marble pavement.

Visitors find the awe-inspiring effect to be intensely provocative. They venture in and out of the disk of light–they’re not really comfortable standing in it, but they’re compelled to interact with it.

Enjoy the photos. And admire more of Rome by making a trip over to Susan’s photo blog: Rome With A View.

Woman with a Hat in Rome's Pantheon

20
Jun

Photo Friday: Summer Solstice at the Pantheon

Summer Solstice at the Pantheon

Today, 20 June, is the summer solstice, the day on which the sun reaches its highest point in the sky. And, there’s no better day to visit the Pantheon–especially if you can manage to get there between 12pm and 1pm, when the sun’s position peaks.

Between 12pm and 1pm, the disk of sun thrown by the oculus in the Pantheon’s dome lands flat on the building’s marble pavement, creating a brilliant circle of light on the floor in front of the door. It’s an effect one sees in only in the summer–for most of the year, the disk of light never hits the ground at all.

Our trusty photographer, Susan Sanders, has a bit of an obsession with the Pantheon. We might even go so far as to say that she lives for the summer solstice and the moment when that gorgeous circle of light makes its way onto the building’s pavement. And so, this weekend, we bring you a two-part photo celebration of the Pantheon.

We begin today with view upward–we’re showcasing Susan’s photos of the building’s beautiful (and newly cleaned) concrete dome and the brilliantly lit oculus. Tomorrow we’ll move on to the floor itself with photos of the ever moving disk of light that so enlivens this ancient temple. So, enjoy today’s photos. Check in tomorrow for more. And in the meantime, take a spin through Susan’s other fabulous photos of Rome at her photo blog: Rome With A View.

Look Up in Rome's Pantheon

20
Jun

Human Rights at the Colosseum

Human Rights at the Colosseum

For the next three nights, the Colosseum will be a glowing billboard for the cause of human rights.

The UN has marked today, the 20th of June, as World Refugee Day, saying:

The refugee challenge in the 21st century is changing rapidly. People are forced to flee their homes for increasingly complicated and interlinked reasons. Some 40 million people worldwide are already uprooted by violence and persecution, and it is likely that the future will see more people on the run as a growing number of push factors compound one another to create conditions for further forced displacement.

Today people do not just flee persecution and war but also injustice, exclusion, environmental pressures, competition for scarce resources and all the miserable human consequences of dysfunctional states.

The task facing the international community in this new environment is to find ways to unlock the potential of refugees who have so much to offer if they are given the opportunity to regain control over their lives.

Rome is participating by projecting the symbol of the UN’s Refugee Agency, along with its slogan, “Proteggere i rifugiati è un dovere. Essere protetti è un diritto” or “Protecting refugees is a must. To be protected is a right.”

Human Rights at the Colosseum

16
May

Photo Friday: Behind the Scenes

Boys of Marble at the Foro Italico

Rome is currently playing host to the Internazionale BNL d’Italia–the Italian Open Tennis Tournament. The men played last week and Novak Djovokic was crowned “the new emperor of Rome” (as the Italian papers put it). This week the women have taken to the courts–but these aren’t your usual playing fields. In fact, over the course of the past months, Rome’s tried-and-true tennis stadium has been disassembled and a makeshift arena is home to the tournament during the construction of a brand new tennis center.

Boys of Marble at the Foro Italico

The makeshift stadium has been built over and above the early 20th century Pietrangeli arena (for photos, see here). Built by Mussolini as part of his Foro Italico, a complex dedicated to the cult of sport, the gorgeous Pietrangeli stadium is not large enough to house all of Rome’s tennis fans. Thus, a temporary stadium has been installed over its marble seats–and atop the marble sculptures of athletes that line its perimeter.

On this Photo Friday, Susan Sanders brings us evocative images of the Boys of Marble, now imprisoned by the stadium that rises above them. For more photos of Rome by Susan, visit her blog: Rome With A View.

Boys of Marble at the Foro Italico

09
May

The Colosseum by Moonlight

The Colosseum by Moonlight

Copy: “See your world in a new light.”

To promote Earth Hour and remind people that it is a global, worldwide event, Leo Burnett Sydney created an ad campaign that featured worldwide iconic buildings lit by the Moon. (For other monuments seen by moonlight, click here.)

Of course, Leo Burnett and the innovators of Earth Hour aren’t the first to recommend gazing upon the Colosseum by the light of the moon. Praise for that idea goes to Lord Byron, who started a fad in the early nineteenth century when he described a nocturnal foray into the Colosseum. In his poem, Manfred, Byron described the Roman arena as seen under a brightly-lit moon. From this point on, nighttime visits to the Colosseum became de rigeur for nineteenth-century travelers, many of whom had committed Byron’s lines to memory:

When I was wandering, – upon such a night
I stood within the Coliseum’s wall,
Midst the chief relics of almighty Rome!
The trees which grew along the broken arches
Waved dark in the blue midnight, and the stars
Shone through the rents of ruin; from afar
The watchdog bay’d beyond the Tiber; and
More near from out the Caesars’ palace came
The owl’s long cry…
Ivy usurps the laurel’s place of growth;-
But the gladiators’ bloody Circus stands,
A noble wreck in ruinous perfection!

To read more about moonlight visitors to the Colosseum, click here.

Ad seen above created by:

Agency : Leo Burnett Sydney,Australia
Executive Creative Director: Mark Collis
Creative Director: Stephen Coll
Art Director: Nils Eberhardt

05
May

The “Servian” Wall at Rome’s Termini Station

The Servian Wall at Rome's Termini Train Station

The improvements which are being rapidly carried out, especially in the neighborhood of the Central Railway Station, supply us daily with discoveries, valuable artistically, scientifically, and geographically. It may be said that not one, but two Romes are being reconstructed at this moment – the modern, with its boulevards, squares, and churches; the ancient, with its temples, thermae, aqueducts and theaters.

Rodolfo Lanciani, Letter from Rome

The passage above, written on January 15, 1876, by the archaeologist Rodolfo Lanciani and published in The Athenaeum, an English journal of the fine arts, captures the spirit of excavation and modernization that characterized Rome in the late nineteenth century. Just six years earlier, the Eternal City had become the national capital of the newly united Italy, a position that granted it a political and civic prestige akin to that which it held as capital of the ancient Roman Empire.

As government offices and their associated civic servants crowded into the new capital, Rome experienced unparalleled growth – the population more than doubled in the years between 1870 and 1900 and continued to rise rapidly after the turn of the century. Such speedy growth demanded intense urban development: the city and its infrastructure were in dire need of expansion and modernization for many houses, roads, and sewers were at least several centuries old. Urban development was impossible in Rome, however, without conducting archaeological excavations upon the ancient, medieval, and early-modern ruins that lay below. Thus, in the decades following the unification of Italy, a great deal of archaeological activity accompanied urban transformation and growth.

Among the monuments to be excavated and studied in this time was an impressive tract of the Republican or “Servian” Wall on the Esquiline Hill. Running a course of about 100 meters and standing up to nine meters in height, the wall fragment is made of large tufa blocks, some of which still bear quarry-marks in the form of Greek letters. Late nineteenth-century excavators believed this tract to be part of the wall attributed by Livy (1.44) to Rome’s sixth king, Servius Tullius (578-535 BC). Despite the fact that this assumption has been disproved – the wall is constructed of a type of tufa available only in the Etruscan city of Veii and the quarries from which its massive blocks were lifted became available to the Romans only after their defeat of Veii in 396 BC – its preservation is still remarkable.

When, in 1938, the Romans found in necessary to improve their public transportation system with the construction of a new train station, the architect, Angiolo Mazzoni, was forced to contend with this hulking mass of ancient wall and he did so by building today’s Stazione Termini around and above the Roman structure. Thus, today, a trip to the train station is also a journey through time. Outside of Termini, the heavy “Servian” Wall is majestically juxtaposed with the building’s monumental travertine and glass facade (see photo above). Meanwhile, in the basement of the station, a further tract of the wall stands in the middle of a newly renovated shopping mall, cutting its path through an ever-busy McDonalds, where Romans and tourists alike snack on Big Macs and Chicken McNuggets while admiring the ancient structure.

Rome's Servian Wall in the Basement of Stazione Termini




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